Gently Read Literature’s Top Books Reviewed in 2012: Fiction

This week I listed Gently Read Literature’s Top Book Reviews 2012 for Poetry, so now I give you the Top Book Reviews 2012 for Fiction.


Starcherone Books released a brilliant fiction anthology, 30 Under 30, it was reviewed by Joe Sullivan in the February Issue

Jaime Boler reviewed Christopher Bollen’s novel Lightning People from Soft Skull Press in the March Issue


Mike Young’s story collection Look, Look Feathers! from Word Riot Press was reviewed in the May Issue by Troy Weaver

In the Summer Issue, Emma Kate Tsai reviewed Jim Shepard’s Master of Miniatures from Solid Objects

Master of Miniatures

Also in the Summer Issue, Kelly Lydick reviewed They Could No Longer Contain Themselves a collection of five novellas from five different authors (Elizabeth J. Colen, John Jodzio, Tim Jones-Yelvington, Sean Lovelace, and Mary Miller) published by Rose Metal Press


Of course, I want to hear your thoughts & opinions about what the best books were for 2012. Make sure you get your subscription in for the upcoming Winter Issue which will be published in January and will feature reviews of the following:

Sigh Eternally: CL Bledsoe on Adam Clay’s poetry collection “A Hotel Lobby at the Edge of the World”

A Beginning For an Author Who Obviously Isn’t a Beginner: David Atkinson on Molly Ringwald’s novel “When It Happens To You”

Cycles of Time, Notes to a Tune: Kelly Lydick on Sandy Florian’s poetry collection “Prelude to Air from Water”

The Horse Doesn’t Always Flow: Nicole Contreras on Leslie Scalapino’s hybrid work “Floats Horse-Floats or Horse-Flows”

Muddled & Luscious Residue: Todd McCarty on Ryan Teitman’s poetry collection “Litany for the City”

Ne’er-Do-Wells Who Plunder: CL Bledsoe on Dan Boehl’s poetry collection “Kings of the Fucking Sea”

Wild Prospecting: CL Bledsoe on Daniel Pyne’s novel “A Hole in the Ground Owned by a Liar”

More Language, More Linkages, More Minds, More Memes: Paula Koneazny on Laura Solomon’s poetry collection “The Hermit”

Kurt Brown’s The Pictorial Impulse: The Poem as Camera and Brush

Tom Bradley’s Foreword to the New Edition of My Hands Were Clean

The Friendly Highbrow: Heather Lang on Matthew Zapruder’s poetry collection “Come On All You Ghosts”

The Lyric Mode: Christopher Schaeffer on Dorothy Lasky’s poetry collection “Thunderbird”

Don’t Doubt Language: Jennifer Jean on Elain Equi’s poetry collection “Click & Clone”

The Transvaluated Body: Gary Sloboda on Christian Hawkey poetry collection “Citizen Of”

The Perfect and The Imperfect: Glenda Burgess on Gretchen Henderson’s novel “The House Enters the Street”

Smashing the Masks: Michelle Ovalle on Amal al-Jabouri’s “Hagar Before the Occupation/Hagar After the Occupation”

Fluid Ease: Ann E. Michael on Elaine Terranova’s poetry collection “Dames Rocket”

What is Polish Poetry Like Today?: Mike Walker on Jacek Gutorow’s poetry collection “The Folding Star”

Deep Family in the High North: Kirsten Sworts on Melinda Moustakis’s short story collection “Bear Down Bear North”

Longing: Sara Habein on Kirsten Scott’s novel “Motherlunge”

Rural Gothic Literature: Casey Pycior on Jon Boilard’s novel “A River Closely Watched”

Flouting the Rules: Garry Craig Powell on Tom Williams’s novella “The Mimic’s Own Voice”

A Reckoning on the River:  Sophfronia Scott on Robert Vivian’s “Water and Abandon”


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