Gently Read Literature, Spring 2014


The new issue of Gently Read Literature is now available. If you’d like to order a copy, send $4.00 via PayPal (https://www.paypal.com/webapps/mpp/make-online-payments) to the email address gentlyreadlit@ymail.com or mail a check payable to “Daniel Casey” with “Gently Read Literature” in the memo line to

Daniel Casey
816 Indiana St.
Lawrence, KS 66044

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GENTLY READ LITERATURE

Spring 2014 Issue

3—The Hidden Ordinary: Glenda Burgess on Two Poets

7—True Stories from a Mexican Prison: Deborah Clearman on Blackbirds in the Pomegranate Tree by Mary Ellen Sanger

10—Gazing Upon Broken Mirrors: Wes Bishop on Lee Upton’s The Tao of Humiliation

14—Notions of Beauty and Materiality: Sally Deskins on Yona Harvey’s Hemming the Water

17—Tragic Histories: Ed Davis on Michael Harris’s Romantic History

22—Terse Lyricism: Daniela Gioseffi on Alfredo de Palchi’s Paradigm: New and Selected Poems 1947-2009

25—A Transcaucasian Mind: Mike Walker on Arslan Khasavov’s Sense

34—The Anti-Mayberry: Rebecca Stoebe on Earplugs by Bram Riddlebarger

37—The Delicate and Precarious: Catherine Bailey Kyle on Glenn Shaheen’s Unchecked Savagery

40—Dogs Don’t Fall in Love: Eileen Austen on Jane Vandenburgh’s The Wrong Dog Dream

44—Tangibly Intangible: Kelly Lydick on Brian Mihok’s The Quantum Manual of Style

49—Loss of Distinction: Jordan Wheatley on Sandy Florian’s Boxing the Compass

55—Ambiences: Bonnie ZoBell on Doug Holder’s Eating Grief at 3 AM

59—Thomas Pynchon’s Escape to the Bleeding Edge by Jesse Lambertson

66—The Culmination of a Life’s Close Attention: Karen Craigo on Sydney Lea’s I Was Thinking of Beauty

69—Burnette Saxifrage: Bonnie ZoBell on Jen Michalski’s The Tide King

74—Assembling a Diverse Literary Society: Kayla Rodney on the Anthology Dismantle

79—Nature’s Lens: Karen Craigo on Paula Bohince’s The Children

82—Intimacy and Exposure: C.P. DeSimone on Sean Thomas Dougherty’s All You Ask For Is Longing

The Great 2014 Indie Press Preview | The Outlet: the Blog of Electric Literature


A utterly brilliant list of new and upcoming books by some of the smartest writers and critics working right now, so check it out: The Great 2014 Indie Press Preview | The Outlet: the Blog of Electric Literature.

GRL will accept reviews of any and all of the books on this list

Elizabeth Robinson’s On Ghosts is a Finalist for the LA Times 2013 Book Prize


The LA Times announced its book prize finalists for 2013. Among those listed for poetry was Elizabeth Robinson’s On Ghosts. On Ghosts is a brilliant collection and the strongest work among the LA Times finalists.

Amy Pence reviewed On Ghosts for Gently Read Literature’s Winter 2014 issue, below is her review.  If you’d like to read more reviews of contemporary poetry and literary fiction, please consider subscribing to Gently Read Literature.

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On Reading On Ghosts: Amy Pence Reviews Elizabeth Robinson

On Ghosts
Elizabeth Robinson
Solid Objects, 2013

1)       That I  am reading Elizabeth Robinson’s On Ghosts on Halloween could be pure accident.  Or is it?   Could occasion be one of those “conditions” that Robinson writes in her “Explanatory Note” that “calibrate individuals or places, make them vulnerable to the heightened perception, which is hauntedness”? (p. 3)

Robinson’s hybrid book—a blend of poetry, essay passages, personal narrative, quotations from writers manifesting the ghostly and a descriptive cataloging of murky photographs— proceeds—as she tells us—circuitously—and meditates less on what ghosts are, than how they “infest” (Robinson’s word) us metaphorically.  An image of a building’s support beams once infested with termites—then painted over—initiates the book:  how are we like these “porous” beams, and so, vulnerable to being haunted?  How are we broken?

2)       That I listen to Schubert, that poverty-stricken musician—the Romantic hero who went to an early grave—was it typhoid or was it syphilis?—as I read On Ghosts might be another condition of my hauntedness.

After Robinson discloses a personal narrative involving her self-effacing grandmother (now deceased), she vividly shows us how the “ghostly” presences in us.  In the passage “Aftermath,” she writes, “That to be alive is in so many ways is to be haunted anyway, to be coursed through with hesitations”(p. 24).

Hesitations define the book.  Robinson’s prose style: the insistence on the declarative combined with her technique of stopping and starting, her tendency to erase what came before, or to merely adumbrate a thought or an image gives the book its peculiar power.  In “Incident One,” a particularly tragic and beautiful prose poem, she writes:  “Over and over the loop of his life rubs on its seam until the stitches rough up his skin and the garment comes apart.  Dual ravel” (p. 13).

3)       That I am beginning to regret my ticket to ride the “Terror Train” later this evening while reading On Ghosts also heightens my perception.

Most admirable are Robinson’s statements that ring like flashpoints:  her narrative style may seem random, plain even.  However, as the prose piece “The Nature of Association” unwinds, for instance, we may think we are left with a sketchy description of the narrator’s preoccupation with a pore on her shoulder.  The piece concludes:  “I hope you understand this and its relation to haunting. Embodiment always troubles us, but here you have no clearer example of its effect” (p. 48).

4)       That the gloom crawls in and around the leaves of all the trees as far as I can see out my window, so that leaf and tone become indistinct while reading On Ghosts further “infests” my reading.

We begin to expect, in addition to an accumulation of  “Incidents”— narratives in which the speaker reveals her own specific haunting—the attendant accumulation of word photographs; some are related to what she has encountered, others not.  Not coincidentally, these are practically non-descriptions in that they trace what isn’t there.

…it is hard to see anything of significance in this photo.  Note however the

ghost’s baby tooth crumbling in a dish on the kitchen counter

(foreground) and further back in the room, the boom box that

went on at random times, always when there was a Harry Potter

story tape in it. (From “Photograph #1,” p. 15)

By resisting description, we are left not-seeing the little we may have seen.

The nature of ghosts, their incessancy, the way they activate…

5)       That the screen freezes and the cursor will not move when I type the words above, so that I hastily handwrite what I’ve already written,  then CTRL-ALT-DEL and recover my document with all but this last half-thought while writing about On Ghosts seriously spooks me.

Nonetheless, or perhaps moretheless, On Ghosts, once read, redirects the reader to attend to presences of all kinds.  Once haunted, Robinson warns us at the outset:  “There’s now a little alleyway, between the self and the not-self…The new not-selfness is exquisitely sensitive to presence but its own absence has been thrown into the realm of the nonlinguistic” (“Explanatory Note,” p. 5).  Hence, the not-I has been moved to a wondrous silence.

Gently Read Literature, Winter 2014


Gently Read Literature’s first issue of 2014 is out now.

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The Winter 2014 issue includes fiction reviews of authors such as Peter Cherches, Kirby Gann, Pamela Erens, Bonnie ZoBell, George Guida, Valerie Fioravanti, Adam Berlin, Luanne Rice, Bruce Holbert, Linda Lappin, and Juliet Marillier.

As well as poetry reviews of collections by Caryl Pagel, Emma Bolden, Elizabeth Robinson, Joshua Marie Wilkinson, Bill Yarrow, Frances Hatfield, John Gosslee, Marjorie Maddox, Gerald Fleming, Kristina Marie Darling, Mary Biddinger, Terry Blackhawk, francine j. harris, Jamie Sharpe, Alex Dimitrov, Petrosino, Carrie Olivia Adams, Jeffery Pethybridge, Julie Marie Wade, and Olivia Stiffler.

We’d love for you’ to subscribe to GRL to receive this as well as the Spring issue (released in May) and the Fall issue (released in September). A year subscription is only $10 and will be delivered to your email as a PDF.

You can subscribe via PayPal ( https://www.paypal.com/webapps/mpp/make-online-payments ) by sending to the email address gentlyreadlit@ymail.com

or mail a check payable to Daniel Casey at

Daniel Casey

816 Indiana St.

Lawrence, KS 66044

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Gently Read Literature
Reviews of Contemporary Poetry & Literary Fiction
Winter 2014

Contents

4—Colleen Abel on Caryl Pagel’s Experiments I Should Like Tried At My Own Death

6—Christina M. Rau on Emma Bolden’s poetry collection Maleficae

10—Amy Pence on reading On Ghosts by Elizabeth Robinson

12—Michael Kasper reviews the novel Lift Your Right Arm by Peter Cherches

15—Making Music from the Badlands of Horror Vacui: Virginia Konchan reviews Joshua Marie Wilkinson’s Swamp Isthmus

18—Parth Vasa reviews Kirby Gann’s novel Ghosting

21—David Appelbaum on Bill Yarrow’s Pointed Sentences

24—Ed Davis reviews the novel The Virgins by Pamela Erens

27—Robin Martin reviews Bonnie ZoBell’s short stories in The Whack Job Girls

30—Fred Misurella reviews George Guida’s short fictions in The Pope Stories

32—Bonnie ZoBell reviews Valerie Fioravanti’s short story collection Garbage Night at the Opera

35—Grace Curtis reviews Frances Hatfield’s poetry collection Rudiments of Flight

37—Robin Martin reviews Adam Berlin’s novel The Number of Missing

40—Christina M. Rau reviews John Gosslee’s Blitzkrieg

43—David Berridge reviews the anthology Homage to Etal Adnan

51—Brief Alphabet of Grief: Carolyn Perry Reviews Local News from Someplace Else by Marjorie Maddox

56—Deborah Bogen reviews Gerald Fleming’s prose poetry collection The Choreographer

59—Sally Deskins on Kristina Marie Darling’s VOW

61—An Insurgency of Language: Stacia M. Fleegal’s review of Mary Biddinger’s poetry collection O Holy Insurgency

63—Suzanne Hard on Luanne Rice’s novel The Lemon Orchard

65—Margaret Rozga reviews Terry Blackhawk’s poetry collection The Light Between

68—Jonterri Gadson reviews allegiance by francine j. harris

71—Emilie Esther-Ann Schnabel reviews Animal Husbandry Today by Jamie Sharpe

73—Samantha Duncan reviews Alex Dimitrov’s poetry collection Begging for It

75—Sing a Song of Darkness: Katherine Yets on Hymn for the Black Terrific by Kiki Petrosino

78—Help Me Solve a Mystery, Who is Who and Where are We?: Katherine Yets on Carrie Olivia Adams’ Forty-One Jane Doe’s

82—The Poem is a Ritual that Conceals: C. Kubasta reviews Jeffrey Pethybridge’s Striven, the Bright Treatise

85—Acceptance Inside an Envelope: Katherine Yets reviews of Julie Marie Wade’s poetry collection Postage Due

88—Olivia Stiffler’s poetry collection Otherwise, We Are Safe reviewed by Margaret Rozga

92—Twenty Poets Talking: Robert Archambeau reviews the anthology Password Primeval

95—Channeling the Prose Poem’s Ancestry: Steven Wingate reviews the anthology Family Portrait: American Prose Poetry

98—James Wharton reviews Bruce Holbert’s novel Lonesome Animals

101—Shaina Mugan reviews Linda Lappin’s Signatures in Stone

103—Things Redefined: Ayesha Ali Reviews Wildwood Dancing by Juliet Marillier

The Conversation Contintues


DSCN3270Stacia Fleegal has written an excellent post that keeps the discussion going on Sandra Simonds et al’s drive to get the Poetry Foundation to turn a portion of its immense resources toward helping poets in need.

 

Here is the link to Fleegal’s piece http://www.staciamfleegal.com/2013/10/open-letters-closed-minds-yellow.html & a excerpt:

I was going to just tweet about it and let it die: “Open letters are the bunnies of the written word–they just keep making more of themselves.”

But I got really upset and figured the most productive thing to do was to pledge my grievance, take my fight to the one place where it makes the most sense, where people will really care…my poor neglected blog.

Womp womp.

Poet Sandra Simonds did it better. She wrote a much-needed and increasingly publicized open letter to the Poetry Foundation asking, in a nutshell, for them to step up and help poets in economic need.

You know, to do its job, the one it purports to do bigger and better than anyone else.

Poetry-Foundation-Logo-horiz

Also, Simonds has share that there is actual progress being made at the Poetry Foundation. If we keep the discussion going, we could very well see needful action taken.

Open Letter to the Poetry Foundation: Share the Wealth


This comes from poet, teacher, and philosopher Sandra Simmonds, who is probably one of the best minds in contemporary poetry. Her most recent collection of poems, Mother Was a Tragic Girl, can be gotten via Small Press Distribution.

 

If this Open Letter prompts you into wanting to take some form of action, a petition has been started.

 

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Open Letter to the Poetry Foundation: Share the Wealth

To the Poetry Foundation:

This is an open letter asking the Poetry Foundation to make a strong financial commitment to aid poets in our communities facing financial crises and a lack of adequate healthcare.

Many poets and I are concerned about the welfare of the many poets facing unprecedented economic challenges in this unstable economy. In the last year or two, a number of poets, old and young, established and emerging, have asked for financial assistance on social media and through email for healthcare costs, rent, and even utilities. It is heartbreaking when poets you have admired for years are forced to ask for help with basic necessities. The poetry community is strong. We help each other when our members are in need, and many poets have answered those calls for assistance. We are asking you to contribute to this effort.

Currently, the organizations in place to help poets in need are few, and their funding is insufficient. I have been in contact with Lyn Hejinian, a poet on the board of the non-profit organization “Poets in Need,” which helps aid poets who are struggling financially. However, this organization has roughly $80,000 total and can only make very small individual contributions to poets, usually less than $3,000. Every bit helps, and we’re grateful to this organization’s hard work, but you have the opportunity to make a major difference.

Last year the Poetry Foundation’s income was over seven million dollars and the foundation’s total assets are well above 150 million dollars. I was disappointed to learn that the Poetry Foundation gives only around $7,500 annually to poets in need. It seems appropriate that since Mrs. Lilly’s endowment came from pharmaceuticals, the foundation would commit some portion of its vast resources to underwrite the cost of health insurance for the poets she so admired.

Perhaps the Foundation would consider inaugurating a funding opportunity to enable established organizations such as Poets in Need to broaden and deepen the range of their assistance to poets. A substantial renewable Foundation grant to such organizations would show compassion and make a meaningful difference to those poets who might otherwise be without resources.

Like you, we believe poetry has the power to change lives and transform communities. Let’s not leave behind the poets who make that transformation possible.
Sincerely,

Sandra Simonds

(I could not have composed this letter without the generous help with research of Juliana Spahr, Jen McCreary and Taylor Brady and thank you to Sean Singer for editing).

Gently Read Literature, Fall 2013


GENTLY READ LITERATURE, Fall 2013

GENTLY READ LITERATURE, Fall 2013

The Fall 2013 issue of Gently Read Literature is available now. Take a look at the contents listed below and if this sounds like a good line up to you, you should probably subscribe.

A year-long subscription to Gently Read Literature (3 issues) is $10 & will be delivered to you as a PDF.

You can subscribe via PayPal ( https://www.paypal.com/webapps/mpp/make-online-payments ) to the email address gentlyreadlit@ymail.com

or mail a check payable to Daniel Casey to

Daniel Casey

816 Indiana St.

Lawrence, KS 66044

Contents

(Critic, Author, Work)

4—Caroline Crew: On Male Privilege, The Exorcist, & Women Writers Who Won’t Step Down

7—Sophfronia Scott: The Making of a Classic, Review of Pamela Erens The Virgins

14—Alyssa Jocson: Forever Quirky and Fantastically Flawed and Ridiculous, Review of Madeline McDonnell Penny, n.

16—Jaime Boler: Think Twice Before Opening Boxes, Review of Norah Labiner Let the Dark Flower Blossom

20—Suzanne Hard: Persistent Empathy, Review of Anne Leigh Parrish All the Roads that Lead from Home

22—Suzanne Hard: Ill-equipped, Perhaps, Deserving of Compassion, Laura Kasischke If A Stranger Approaches You

25—Eileen Austen: In Search of Narrative, Review of Alicia Kozameh Ostrich Legs

31—Kelly Lydick: Unconsciously Conscious, Review of Bernadette Mayer Ethics of Sleep

35—Glenda Burgess: Art of the Discarded and Reclaimed, Review of Dana Johnson Elsewhere, California

37—Christine Cody: A Missive from the Deities, Review of Anne Germanacos In the Time of Girls

40—Matthew Mahaney: A Lyrical Choose-Your-Own Adventure, Review of Loren Erdrich & Sierra Nelson I Take Back the Sponge Cake

44—Allan B. Rubin: An Edifying Compendium, Review of Daniela Gioseffi Pioneering Italian American Culture

47—Maria Espinosa: Of Craving, Of Touch, Review of Susan Sherman The Light That Puts an End to Dreams

50—Pamela Klein: Uncomfortably Dangerous Poetry, Review of Rauan Klassnik The Moon’s Jaw

53—Bill Pruitt: Questionable Insight, Review of Hugh Martin The Stick Soldiers

57—Bill Pruitt: Xenotransplantation, Review of Bruce Beasley Theophobia

60—Holly Helscher: The Complexity of Choices, Review of Gila Green King of the Class

63—Glenn Halak: Poetic Persona vs Poetry, Review of Helene Cardona Dreaming My Animal Selves

68—Glenn Halak: The Invisible Man, Review of William Pitt Root’s translation of Pablo Neruda

78—Cory Johnston: Forms of Detachment in Holocaust Literature

Gently Read Literature, 2013 Spring Issue


Now that Spring is finally here, so is a new issue of Gently Read Literature. The Spring Issue has some brilliant poetry and fiction reviews as always as well as some interesting literary essays. This issue’s most interesting feature is a special section devoted to impressions, personal essays, and summaries from attendees to this year’s AWP Conference is Boston.

Take a look at the contents–

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Special Feature Essay on the AWP Conference Boston

Featuring Mary Biddinger, Heather Bowlan, Dianne Turgeon Richardson, Kris Bigalk, Mark Jenkins, & Suzanne Cope

Reviews & Essays

Taste and See: Michelle Ovalle Reviews Tropicalia by Emma Trelles

An Act of Witness: Tawnysha Greene Reviews Pamela Uschuk’s Wild in the Plaza of Memory

An Untroubled Poet: David Appelbaum Reviews Laurie Filipelli’s Elseplace

Unclear Dreams: Stacie Theis Reviews Patricia Goodwin’s When Two Women Die

What Remains: Ben Moeller-Gaa Reviews Kristina Marie Darling’s Melancholia (An Essay)

A Reach For Our Better Angels: Sophfronia Scott Reviews Robert Vivian’s Tall Grass Trilogy

The Mystery of Faith: Zachary Boissonneau Reviews Ira Sadoff’s True Faith

The Sestina and Ardor: An Essay by Marilyn Krysl

An Inner World: Maria Espinosa Reviews Paul Christensen’s Strangers in Paradise

Images of Water: Lisa Cole Reviews Edith Sodergran’s Salt Ballads as translated by Brooklyn Copeland

Finding One Thing in Another: Jeffrey DeLotto Reviews Anne Whitehouse’s The Refrain

Colors of Emotion and Mind: Jesse A. Lambertson Reviews Neil de la Flor’s An Elephant’s Memory of Blizzards

Die Now, Die Then: Jesse A. Lambertson Reviews Robert Day’s Where I am Now

Accordions in the Mind: Lisa Cole Reviews Juliet Cook’s Poisonous Beautyskull Lollipop

In the Midst of Anxiety: Victoria McCoy Reviews Matthew Cooperman’s Still: Of the Earth as the Ark which Does Not Move

Getting Away With It: Lisa Cole Reviews Listen to Her Heart by Amy Berkowitz

o louvre of the world, Poetry and Grammar: Emma Bolden Reviews Emily Carr’s 13 ways of Happily

Life in the Margins: Ben Moeller-Gaa Reviews Kristina Marie Darling’s Petrachan

One-on-One, Writer & Reader: Linda Lappin Interview with Thomas Kennedy

Love at the Speed of Sound: Sophfronia Scott on Elena Passarello’s Let Me Clear My Throat

The Drive to Connect: Stephen Page Ponders Adrienne Rich’s The Dream of a Common Language

Stolen Identity: Alyssa Jocson Reviews Eric Goodman’s Twelfth & Race

Literary Combat for History’s Collective Memory of the South before the American Civil War: An Essay by Forest Balderson

**

If this sounds like a good line up to you, you should probably subscribe. A year-long subscription to Gently Read Literature (3 issues) is $10 & will be delivered to you as a PDF.

You can subscribe via PayPal ( https://www.paypal.com/webapps/mpp/make-online-payments ) to the email address gentlyreadlit@ymail.com

or mail a check payable to Daniel Casey to

Daniel Casey

816 Indiana St

Lawrence, KS 66044

Gently Read Literature, 2013 Winter Issue


Well, it’s here in time for the new year–the first subscription-based issue of Gently Read Literature. GRL’s 2013 Winter Issue is packed with quality, in-depth reviews and essays.

 Subscribe & get your copy today! A year-long subscription to Gently Read Literature (3 issues) is $10 & will be delivered to you as a PDF. Via PayPal ( https://www.paypal.com/webapps/mpp/make-online-payments ) to the email address gentlyreadlit@ymail.com rr mail a check payble to Daniel Casey to

Daniel Casey

816 Indiana St

Lawrence, KS 66044

Table of Contents

Sigh Eternally: CL Bledsoe on Adam Clay’s poetry collection “A Hotel Lobby at the Edge of the World”

A Beginning For an Author Who Obviously Isn’t a Beginner: David Atkinson on Molly Ringwald’s novel “When It Happens To You”

Cycles of Time, Notes to a Tune: Kelly Lydick on Sandy Florian’s poetry collection “Prelude to Air from Water”

The Horse Doesn’t Always Flow: Nicole Contreras on Leslie Scalapino’s hybrid work “Floats Horse-Floats or Horse-Flows”

Muddled & Luscious Residue: Todd McCarty on Ryan Teitman’s poetry collection “Litany for the City”

Ne’er-Do-Wells Who Plunder: CL Bledsoe on Dan Boehl’s poetry collection “Kings of the Fucking Sea”

Wild Prospecting: CL Bledsoe on Daniel Pyne’s novel “A Hole in the Ground Owned by a Liar”

More Language, More Linkages, More Minds, More Memes: Paula Koneazny on Laura Solomon’s poetry collection “The Hermit”

Kurt Brown’s The Pictorial Impulse: The Poem as Camera and Brush

Tom Bradley’s Foreword to the New Edition of My Hands Were Clean

The Friendly Highbrow: Heather Lang on Matthew Zapruder’s poetry collection “Come On All You Ghosts”

The Lyric Mode: Christopher Schaeffer on Dorothy Lasky’s poetry collection “Thunderbird”

Don’t Doubt Language: Jennifer Jean on Elain Equi’s poetry collection “Click & Clone”

The Transvaluated Body: Gary Sloboda on Christian Hawkey poetry collection “Citizen Of”

The Perfect and The Imperfect: Glenda Burgess on Gretchen Henderson’s novel “The House Enters the Street”

Smashing the Masks: Michelle Ovalle on Amal al-Jabouri’s “Hagar Before the Occupation/Hagar After the Occupation”

Fluid Ease: Ann E. Michael on Elaine Terranova’s poetry collection “Dames Rocket”

What is Polish Poetry Like Today?: Mike Walker on Jacek Gutorow’s poetry collection “The Folding Star”

Deep Family in the High North: Kirsten Sworts on Melinda Moustakis’s short story collection “Bear Down Bear North”

Longing: Sara Habein on Kirsten Scott’s novel “Motherlunge”

Rural Gothic Literature: Casey Pycior on Jon Boilard’s novel “A River Closely Watched”

Flouting the Rules: Garry Craig Powell on Tom Williams’s novella “The Mimic’s Own Voice”

A Reckoning on the River:  Sophfronia Scott on Robert Vivian’s “Water and Abandon”

Subscribe to Gently Read Literature: Become a Subscriber & Support Book Reviewing


Greetings from Gently Read Literature,

 

Some of you may have notice that GRL has been absent of late with our most recent issue being released in May. This is because GRL is going through a format change.

 

Instead of publishing every month as we have done for the past few years, Gently Read Literature will now publish three times a year—a Summer (September), Winter (January), and Spring (May) issue.

 

Gently Read Literature has reached a crossroads. On September 1st, GRL will release its Summer 2012 issue which will be comprised of 23 review essays on contemporary poetry and literary fiction and be over 70 pages. GRL’s Summer issue will feature the same in-depth review essays that you’ve come to expect and enjoy; this Summer’s issue will see reviews of recent work by Traci Brimhall, Terese Svoboda, Sarah Falkner, Peter Richards, Maxine Kumin, Ron Padgett, and Jane Lazarre among others.

 

Our Summer 2012 issue will be the last free issue of Gently Read Literature. Although I’ve strived to make GRL as accessible as possible over the last 4 years, it has no longer become feasible to continue on as a free publication.

 

Subscriptions to Gently Read Literature will start with the January 2013 issue, which will be sent to subscribers as a downloadable PDF and made available online.

 

A year-long subscription to Gently Read Literature (three issues) will be $10.

 

 

If you would like to become a subscriber to Gently Read Literature, you can send payment via PayPal to the email address gentlyreadlit@ymail.com

Or

Mail a check to

Daniel Casey

20698 Drake Ct

Rogers, MN 55374

 

After the release of the Summer Issue, only subscribers will receive email updates like this one.

 

I hope you’ll continue our conversation by becoming a subscriber.

Thank You for Your Support

Daniel Casey, Founding Editor

 

 

 

Take a look at our past issues:

May 2012, http://issuu.com/gently_read_literature/docs/grl_may

April 2012, http://issuu.com/gently_read_literature/docs/grl_apr

March 2012, http://issuu.com/gently_read_literature/docs/grl_mar

February 2012, http://issuu.com/gently_read_literature/docs/grl_feb

January 2012, http://issuu.com/gently_read_literature/docs/grl_jan